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[Cannibalism] By Tanaka Shin’ya

تأليف :
الولادة : 1953 هجرية
الوفاة : 1 هجرية

موضوع الكتاب :

تحقيق : 'NA'

ترجمة : 'NA'



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قصة الكتاب :
Shūeisha (Shūeisha Bunko), 2013. 205 pp. ¥420. ISBN 978-4-08-
745023-1.
Tanaka Shin’ya
Born in Yamaguchi Prefecture in 1972. Was awarded the Shinchō
Newcomer’s Award for “Tsumetai mizu no hitsuji” [Coldwater
Sheep] in 2005. In 2008 he won the Kawabata Yasunari Prize for
Literature for the story “Sanagi” [Chrysalis] and the Mishima Yukio
Prize for the short story collection Kireta kusari [Broken Chains].
Won the Akutagawa Prize for “Tomogui” in 2012. “Tomogui” was
made into a film in 2013.

Seventeen-year-old Shinogaki Tōma lives with his father, Madoka, and his father’s
common-law wife, Kotoko. His father’s sexual proclivities include choking and
beating women, to the point of drawing blood. Tōma’s mother, Jinko, aborted her
second pregnancy and left Madoka, unable to stand his brutality.
Now living alone, Jinko works as a fishmonger not far from Tōma’s home.
Having lost her right hand in a wartime air raid, she uses an artificial hand to cut
and clean fish. On his frequent visits to his mother, who provides him with fish
and meals, Tōma has often heard about his father. Although he detests the man
viscerally, Tōma is also afraid that he may have inherited his violent and sadistic
tendencies. His fears come true when, during sex with his girlfriend, Chigusa, he
impulsively strikes her in the face.
Consumed by self-disgust, Tōma sinks into depression. Meanwhile, Kotoko,
who is now pregnant, makes up her mind to break free from Madoka. The violent
father goes on a rampage, in the course of which he rapes Chigusa in the grounds
of a Shintō shrine. Tōma resolves to kill his father, but Jinko stops him and takes
matters into her own hands.
Summarized like this, the book may sound like a depiction of a grotesque
world beyond reason, soaked in sex and violence. But the richly stylized prose and
numerous descriptive passages that straddle the borderline between realism and
fantasy combine to give the work a distinctive atmosphere and artistic flair. By
setting his work in what is apparently Shimonoseki, Yamaguchi Prefecture, Tanaka
effectively captures the life of this young man as he confronts his biological inheritance
and inexorable fate. This is a compelling depiction of the powerful bonds
between people and the pain they can cause, as well as the sense of entrapment
and spiritual turmoil of the protagonist enmeshed in them. (CK)

 

  
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